The Weeknd dropped an album. I love the synth-driven production. Seeing mass appeal with this one. “Heartless” is a back-on-my-bullshit anthem. There’s a concentrated effort in the musicality, not just the songwriting. I love the many moods of this album. I like this a great deal. Sonically, he’s moving to a beat that compliments every record prior. By balancing the two sides of his musical personality – not to mention add some levity to that boring, bad-taste id – After Hours feels like the first Weeknd album in a while to offer up a clear, singular vision rather than something frustratingly abstract. So much soul. Metro Boomin is a treasure. and promptly begins to lose it. The narrative may change, but the world he’s building is defined. “I don’t need it anymore.”, Final (First Listen) Thoughts on The Weeknd’s After Hours. I swear he’s a vampire. “I’m losing my religion every day.” The last thing we need to hear during a period of pandemic isolation is someone who is losing their faith. Keeper. With Jimmy Kimmel, Zaina Miuccia, The Weeknd. Sonically, the song is more layered than school uniforms during a Toronto winter. I love that Weeknd never names the person who is at the heart of his conflict. If the first few songs were sober confessions, these last two have been the relapse. “Sorry I broke your heart.” Oh, now he’s sorry? It has been 1211 days since the release of STARBOY. I need him to perform this in a dirty warehouse filled with pumping fists, molly residue, and glow sticks. The Weeknd delivered more shiny, danceable pop music with his signature moody edge. When he first arrived, we didn’t know who he was. The first listen already showed me that this album has stringer production, lyrics, concept. BE SAFE OUT THERE! “After Hours,” his rousing fourth studio album, is laden with sparkled trauma, kaleidoscopic emotional confusion, urgent and panting physical release paired with failed-state romantic dyspepsia. What inspired him to lean so heavily into synth-pop? Fans may have noticed that every video and television performance released by The Weeknd in the run-up to the March 20 release of his next album, “After Hours,” is … This back half is giving me Kavinsky. The Weeknd - After hours (44 Beiträge / Letzter am 02.03.2021 - 08:18 Uhr) The Weeknd - The Highlights (3 Beiträge / Letzter am 08.02.2021 - 14:40 Uhr) The Weeknd - House of balloons (16 Beiträge / Letzter am 11.01.2021 - 23:33 Uhr) The supporting cast of After Hours is full of old Weeknd collaborators: Illangelo, Belly, DaHeala, even Max Martin. Although The Weeknd has made good and great albums before, what makes After Hours stand out, especially compared to its predecessor, is how the album is a … Keeper. The album’s sequencing is impeccable. Not sure where this is taking me, but I’m enjoying the ride already. ‘BLAME IT ON BABY’ is an album that says, “I’m on the way,” not, “I have arrived.”. A mixture of singing and rapping here. The album just came out of the grave and did the Woah. He sounds good here. Above the beat instead of underneath. I want Weeknd to do a cover of “Throw Away.” The Weeknd has singlehandedly killed quarantine and chill. Not my favorite record, but still a good one. An interlude this deep into the album is funny. “Heartless” was the first single, I believe. I believe this is Illangelo and a gang of co-producers. He’ll never be the world’s best singer, but he knows how to sell it. The Weeknd’s fourth album, After Hours, is reportedly a chronicle of Tesfaye’s on-again, off-again relationship with model Bella Hadid, and he straight-facedly embraces vulnerability like never before, resulting in his most personal album to date. But the obvious big tunes fall flat. [Editor’s Note: Credit to veteran Mario Winans here.] We are supposed to hear these songs in a specific ordering, but I’m almost certain the album would still be effective if played on shuffle. The Weeknd’s latest short film opens with the Toronto singer grinning maniacally onstage. He’s back in the toxic lover bag that gave us some of his greatest hits. A Coachella line. TAKE CARE OF YOU AND YOURS* 1. The Falcon and the Winter Soldier: Season 1, The Mighty Ducks: Game Changers: Season 1. At its core, After Hours is a Weeknd album, and whether you love him or not, Abel Tesfaye and his collaborators continue to reintroduce him as a magnetic man of love and loss, sex, and seduction, chasing the next high and heartbreak like no other. The Weeknd sounds like he’s a mature man now. As one of the first pop stars to release an album during the deadly COVID-19 outbreak, After Hours may be one of the most talked-about releases of 2020. Production is transformative. Maybe his best-produced project to date. The Weeknd wrote and produced the song with its producers Illangelo, DaHeala and Mario Winans, with Belly receiving additional writing credits. That’s the beautiful blur of After Hours. He’s still in the confessional pouring it out. Or is he delivering the album version of Fight Club? Here songs bleed into each other, with sonic references dotted throughout to neaten up threads that previously he would have left to unravel. These synths are taking me back to the first time I heard Nightcall. We are indoors, and we are listening. What more is there to say? Although The Weeknd never confirmed my suspicions, I can’t help but wonder, by naming his fourth studio album After Hours, and by using a photo of himself with visibly blood-stained teeth, is he leaning further into the vampire aesthetic? I’m not sure how I can repeat after him. “This place is never what it seems.” A lot of passion in this one. The Weeknd submerges you. He’s treating the recording booth like a confessional. Whatever The Weeknd’s inspiration may be, there’s a cinematic spirit in the visual aesthetic that makes me believe After Hours will be a movie for eardrums. Who laid down these drums? Didn’t expect to feel seen. On his final album, Logic embraces being a man with a son to raise, businesses to run, friends to support, and his mental health to protect. The cohesiveness of AFTER HOURS will impress you! I love the quietness and how it draws you in as the music builds higher and higher like a growing skyscraper. It was released on March 20, 2020, to critical acclaim, with some calling it his best work to date. Critic Reviews There’s some great production on this album. © 2021 METACRITIC, A RED VENTURES COMPANY. The Weeknd is making synth cinema. My favorite so far. The lyrics have improved massively. ... empty melancholy and drunken, devastating love begins. Did Abel write this? Keeper. Accountable. A warping beat switch. He’s catching that R&B rap stride. The Weeknd behandelt in After Hours größtenteils die Schmerzen die er durch seine fehlgeschlagenen Beziehungen ertragen muss/seine Ex-Partnerinnen ertragen müssen. It’s easy to hear The Weeknd and visualize someone, anyone. He’s earnest. … After Hours, on first listen, feels like a natural progression from his third studio album, Starboy. “After Hours” is one of the most successful musicians of the past decade testing the balance between innovation and commerciality as much as anyone today. 20 based on We have to pay attention to all these moving parts. After Hours is The Weeknd’s fourth studio album. Directed by Anton Tammi. I didn’t listen to any of the singles when they were released. [Editor’s Note: Yes, he co-wrote the song with Belly.] Despite releasing "After Hours," one of the most acclaimed and successful albums of the year, The Weeknd received zero Grammy nominations. After Hours. After Hours is scored beautifully. What up world! “Save your tears for another day.” Man, he’s a complete savage on the back half of the album. Let’s see how Abel closes this one out. He’s marked this album with a sound that separates him from the contemporaries in mainstream pop and R&B. In it, he walks off the stage at Jimmy Kimmel Live! Time for the The Weeknd - After Hours REACTION!! “Take off my disguise, I’m living someone else’s life.” I like this. The Weeknd’s music has always been about contrasts, and here the beauty and the madness are more smoothly integrated than ever. Metacritic's 11th Annual Game Publisher Rankings, Neil Young Archives Vol. I have to check the production credits, but whoever he brought in to build this album gave him a cathedral of beautiful synths and stunning percussion. Back in 2015, inspired by a fever-induced epiphany, I wrote: “The Weeknd Is a Vampire, Seriously.” I wrote the article thinking about Dracula, The Lost Boys, Twilight, and how, in pop culture, vampires are charismatic sweet-talkers who rule the night. A fter more than a three-year-hiatus between full-length projects, three-time, Grammy-winning R&B artist The Weeknd returns with his fourth studio album, After Hours.. Although The Weeknd has made good and great albums before, what makes After Hours stand out, especially compared to its predecessor, is how the album is a convergence of ideas extending throughout the songwriting, musicality, and sequencing. Sequence wise, by far the best-paced Weeknd album. Taylor’s third studio album, ‘The Album,’ is an honest work of art. The Weeknd behandelt in After Hours größtenteils die Schmerzen die er durch seine fehlgeschlagenen Beziehungen ertragen muss/seine Ex-Partnerinnen ertragen müssen. “Snowchild” is a keeper. He’s sliding! There’s a vampire takeover coming for mainstream music. "After Hours" is a song by Canadian singer the Weeknd. Each song will receive my gut reaction from start to finish. I’m pretty sure he does one of these every album. [Editor’s Note: Correct, Illangelo co-produced the record with DaHeala, Nate Mercereau, and Ricky Reed.] This one is a winner all around, but the production is something else. This one moves fast, the fastest record thus far. He’s catching the rhythm. The album has many moments without ever sounding dull. I told y’all he had a post-high clarity. “You don’t love him.” Oh man, this is a Future song. Is that a sax? Official short film for The Weeknd's 'After Hours' album. The Weeknd's new album 'After Hours' is Abel Tesfaye's most all-encompassing record to date, free of features and full of solitary self-reflection After Hours, an Album by The Weeknd. [Jun 2020, p.106]. I love this title, too. The Weeknd's fourth studio album "After Hours" perfectly blends synth-wave from the 80's with dark R&B flair that makes for an exciting, dark, The Weeknd's fourth studio album "After Hours" perfectly blends synth-wave from the 80's with dark R&B flair that makes for an exciting, dark, and eerie body of work. “I been the hardest to love,” he confesses on the hook. I’m already feeling the itch to rewind this one. This is an album in motion. “Going on tour is my vacation.” Well, ain’t no tour either. “Too Late” causes your ears to perk up. - “I was blowing smoke had me dizzy like Gillespie.” The cover girl line. Featured peformers: The Weeknd (vocals, writer), Dave Kutch (mastering), Kevin Peterson (mastering assistant), Shin Kamiyama (engineer), Anton Tammi (photography, design, art direction), Aleksi Tammi (design, … They think your kindness is so weak Okay, there he goes. Let the Future memes fly. “After Hours” is the title of the fourth studio album by The Weeknd. Seven for seven. [Editor’s Note: That would be Wojtek Goral.] I first thought this album was about to be Kiss Land 2.0 when I first heard After hours (the track) a month ago, and ended up believing this. Metro Boomin, man. His voice sounds the most prominent here. This album should have come bundled with a dancefloor and a few rolled-up dollar bills. This album is a calculated and cohesive world of synth-pop rhythms and lovelorn confessions. For a rich man who can give anyone the world, The Weeknd isn’t able to find any happiness. It’s crystal clear. [Editor’s Note: It can be, yes.] Oh yeah! A slow build-up. I need The Weeknd to write the theme song for Knight Rider if they ever reboot it (again).
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